Showing 61–72 of 212 results

Dizzy Reece – Star Bright Lp (Blue Note Classic Series) Blue Note Vinyl

£24.99
Born in Kingston, Jamaica, the trumpeter Dizzy Reece moved to London at age 17 and began working across Europe, frequently in Paris, where he played with the likes of Don Byas and Kenny Clarke. Reece also made fans of Miles Davisand Sonny Rollins who spread the word about a hot new trumpeter on the European scene. So when Donald Byrd and Art Taylor came through Paris on tour in 1958 they sought out Reece and even found their way into the recording studio together for what would become Reece’s Blue Note debut Blues In Trinity.

Duke Ellington – Berlin Jazz Festival 1969-73 – The Lost Recordings 180g Vinyl

£65.00
On November 8, 1969, on the stage of the great hall of the Berlin Philharmonic, the Duke, whose portrait is the poster of the Jazztage Festival which celebrates his 70th birthday, slowly joined his piano. His orchestra is at the orders, adorned with a gleaming section of which some have accompanied him for 30 years, such as Cootie Willams and Cat Anderson. The legendary saxophonists Paul Gonsalves and Johnny Hodges and Russell Procope are also present.

Duke Ellington – Ellington Indigos – Impex Records Numbered Limited Edition 180g 45rpm 2LP (Indigo Purple Vinyl)

£99.95
Now in stock
65th Anniversary Edition 180g Double LP! First Time on AAA 45rpm Vinyl! Mastered by Chris Bellman & Pressed at RTI! Includes 4 All-Analog Mono Bonus Tracks on Vinyl for the First Time!
Special Los Angeles and Orange County Audiophile Society Edition Indigo Purple Vinyl Strictly Limited to 1,000 Numbered Pressings!
Very, Very Short Supply, Demand Will Be Massive

Duke Ellington & John Coltrane – Duke Ellington & John Coltrane 180g Analogue Productions Vinyl

£35.00
“Genius + Soul = Jazz is a winner, now sounding better than ever. I like this reissue so much I’ll probably not play my original again since it isn’t in quite as nice condition. In fact, I’m not sure if I really need to even keep my original in the collection at this point given the quality of this reissue. And that is probably the best complement I can offer.” — Mark Smotroff, Audiophile Review, May 17, 2021.

Duke Ellington & Johnny Hodges – Back to Back – Analogue Productions 45RPM 200g 2LP

£75.00
Several times in his career star alto-saxophone soloist Johnny Hodges struck out on his own, only to return each time to Duke Ellington’s band. There seemed to be a constant tension between them, though it was old hat by the time of this recording. In the enclosed notes, critic Michael Ullman examines this complex relationship, suggesting that the blues classics chosen for this program may have been neutral ground. A place where Ellington’s unique piano playing could come to the fore and Hodges’ irrepressible sensuality could have free rein. This is one of the very best small-group records Ellington ever made — a relaxed, perfectly integrated set of music that truly swings the blues.

Duke Ellington & Ray Brown – This One’s For Blanton – Analogue Productions 180g Vinyl

£49.95
Duke Ellington teams up here with bassist Ray Brown in a set reminiscent of Duke’s work with Jimmy Blanton three decades before. In addition to the four-part “Fragmented Suite for Piano and Bass,” the duo plays five standards (including “Pitter Panther Patter” from the Blanton days and three other Ellington-associated tunes).

Duke Pearson – The Right Touch LP (Blue Note Tone Poet Series) – Blue Note Vinyl

£49.95
Perhaps the perfect starting point for a reappraisal of Duke Pearson’s underrated career is his fantastic and aptly titled 1967 album The Right Touch. The album stands as perhaps the finest in Pearson’s discography and is a showcase of his sublime talents as a pianist, composer, and arranger. The Right Touch is comprised of six memorable Pearson compositions arranged for a dynamic 8-piece band featuring trumpeter Freddie Hubbard, trombonist Garnett Brown, alto saxophonist James Spaulding, alto saxophonist/flutist Jerry Dodgion, tenor saxophonist Stanley Turrentine, bassist Gene Taylor, and drummer Grady Tate.

Ella Fitzgerald – Clap Hands, Here Comes Charlie!  – Analogue Productions Vinyl LP

£55.00
“…these are all truly classic Verve titles that you simply don’t want to miss…most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I’d definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen!” Winner of a 2012 Positive Feedback Online Writers’ Choice Award – Danny Kaey, Positive Feedback Online, November/December 2011

Ella Fitzgerald – Ella Wishes You A Swinging Christmas – Acoustic Sounds Series 180g Vinyl

£36.00
"Ella Fitzgerald's Christmas album is a secular holiday delight sure to please every listener, even atheists and agnostics. Originally released in 1960, the sound here is warm and inviting as a Yule log burning in the fireplace ... Perfect QRP pressing too." — Music = 9/11; Sound = 9/11 — Michael Fremer, AnalogPlanet.com.

Ella Fitzgerald and Louis Armstrong – Ella & Louis – Analogue Productions 180g Stereo Vinyl

£55.00
"The classic jazz album that brought Ella Fitzgerald and Louis Armstrong together for the first time as they recorded their version of extraordinary standards." — Wax Time

Eric Dolphy – Outward Bound (Stereo) – Analogue Productions 180g Vinyl

£49.95
Eric Dolphy has sometimes been described as an iconoclast, but in Outward Bound, he was not overturning his idol, Charlie Parker; he was building on Bird’s legacy. So deep was Dolphy’s musicianship, so free his imagination, that he enchanted trailblazers like John Coltrane and Charles Mingus. Partnering in this collection with the brilliant trumpeter Freddie Hubbard and a stunning rhythm section, Dolphy is at a peak of energy and creativity on alto saxophone, bass clarinet, and flute. He and Hubbard work with empathy reminiscent of the young Parker and Dizzy Gillespie. Pianist Jaki Byard, bassist George Tucker, and drummer Roy Haynes were ideal accompanists and co-conspirators in this widely influential work.