Showing 49–60 of 198 results

Coleman Hawkins – Coleman Hawkins and Confreres – Analogue Productions 200g 45 RPM Vinyl

£72.00
Mastered by George Marino at Sterling Sound "...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen!" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November/December 2011

Coleman Hawkins – Coleman Hawkins Encounters Ben Webster – Verve 180G Vinyl

£39.95
As critic Nat Hentoff makes clear, Coleman Hawkins and Ben Webster were larger than life. Formidable, even forbidding presences, they revealed a depth of feeling in their playing that spoke of their vast life experiences, as great writers or painters speak through their work.

Creative Arts Ensemble With B.J Crowley : One Step Out – Pure Pleasure Records 180G Vinyl

£29.95
Nimbus West spirit jazz essential: the Creative Arts Ensemble's classic debut One Step Out. One of the most sought after and highly-regarded titles to have appeared on Tom Albach's celebrated Nimbus West imprint, One Step Out is a timeless work of spiritualized jazz. A true gem from the Los Angeles jazz underground, the album was pianist and composer Kaeef Ruzadun Ali's first recording as leader of the Creative Arts Ensemble, the only large ensemble group that emerged directly from Horace Tapscott's legendary Pan Afrikan Peoples Arkestra community jazz group.

Dexter Gordon – Go – Blue Note – 180G Blue Coloured Vinyl LP

£19.75
Hard Bop Mastery with Audiophile Warmth

Swinging, lyrical, and effortlessly cool—Dexter Gordon’s landmark session, pressed to perfection.

Originally released in 1962, Go! is one of the finest recordings of tenor sax legend Dexter Gordon’s career. Captured in a single day by the legendary Rudy Van Gelder and released on Blue Note Records, the album pairs Gordon’s soulful phrasing and fluid tone with an exceptional rhythm section featuring Sonny Clark (piano), Butch Warren (bass), and Billy Higgins (drums).

This 180g coloured vinyl edition—pressed in striking blue—offers both visual flair and serious sonic substance. The remastering preserves the warmth and intimacy of the original tape, with rich midrange detail, clean cymbals, and Gordon’s unmistakable tenor sound delivered with natural depth and presence. Whether it’s the laid-back groove of Cheese Cake, the ballad beauty of I Guess I’ll Hang My Tears Out to Dry, or the bluesy swing of Love for Sale, every track feels alive in the room.

A true Blue Note classic—Go! is essential listening for any jazz enthusiast and a standout pressing for audiophiles who appreciate analogue finesse and timeless performances.

Diana Krall – When I Look Into Your Eyes (Verve Records – Acoustic Sounds Series ) 180g 2LP Gatefold Sleeve

£55.00
Krall’s fifth studio album made a mark as the first jazz album in 25 years to garner a Grammy nomination for Album of the Year.
Tommy LiPuma elevates Krall’s sound along the lines of Nat King Cole with an orchestral stamp on eight out of 12 tracks.
It doesn’t take strings, though, to showcase Diana Krall as a hopeless romantic. She does that well enough on her own.
Verve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.

Dizzy Gillespie Live At Singer Concert Hall 1973 – The Lost Recordings 180g Vinyl

£65.00
For Dizzy everything starts and ends with laughter. In the meantime, all paths are possible. That of melancholy, of dance or of political commitment... Dizzy is everywhere at once, always elusive, he is this explorer who, after having been one of the founders of Bebop in the 40's, will never stop experimenting, surprising and pushing back the borders.

Dizzy Reece – Star Bright Lp (Blue Note Classic Series) Blue Note Vinyl

£24.99
Born in Kingston, Jamaica, the trumpeter Dizzy Reece moved to London at age 17 and began working across Europe, frequently in Paris, where he played with the likes of Don Byas and Kenny Clarke. Reece also made fans of Miles Davisand Sonny Rollins who spread the word about a hot new trumpeter on the European scene. So when Donald Byrd and Art Taylor came through Paris on tour in 1958 they sought out Reece and even found their way into the recording studio together for what would become Reece’s Blue Note debut Blues In Trinity.

Duke Ellington – Ellington Indigos – Impex Records Numbered Limited Edition 180g 45rpm 2LP (Indigo Purple Vinyl)

£99.95
Now in stock
65th Anniversary Edition 180g Double LP! First Time on AAA 45rpm Vinyl! Mastered by Chris Bellman & Pressed at RTI! Includes 4 All-Analog Mono Bonus Tracks on Vinyl for the First Time!
Special Los Angeles and Orange County Audiophile Society Edition Indigo Purple Vinyl Strictly Limited to 1,000 Numbered Pressings!
Very, Very Short Supply, Demand Will Be Massive

Duke Ellington & John Coltrane – Duke Ellington & John Coltrane 180g Analogue Productions Vinyl

£49.95
“Genius + Soul = Jazz is a winner, now sounding better than ever. I like this reissue so much I’ll probably not play my original again since it isn’t in quite as nice condition. In fact, I’m not sure if I really need to even keep my original in the collection at this point given the quality of this reissue. And that is probably the best complement I can offer.” — Mark Smotroff, Audiophile Review, May 17, 2021.

Duke Ellington & Johnny Hodges – Back to Back – Analogue Productions 45RPM 200g 2LP

£75.00
Several times in his career star alto-saxophone soloist Johnny Hodges struck out on his own, only to return each time to Duke Ellington’s band. There seemed to be a constant tension between them, though it was old hat by the time of this recording. In the enclosed notes, critic Michael Ullman examines this complex relationship, suggesting that the blues classics chosen for this program may have been neutral ground. A place where Ellington’s unique piano playing could come to the fore and Hodges’ irrepressible sensuality could have free rein. This is one of the very best small-group records Ellington ever made — a relaxed, perfectly integrated set of music that truly swings the blues.