John Coltrane – Coltrane Jazz – Analogue Productions (Atlantic 75 Series) 180g Vinyl
The first album to hit the shelves after Giant Steps, Coltrane Jazz was recorded in November and December 1959, although one of the eight tracks ("Villiage Blues") was recorded in late 1960. On everything save the aforementioned "Village Blues," Coltrane used the Miles Davis rhythm section of pianist Wynton Kelly, bassist Paul Chambers, and drummer Jimmy Cobb
AllMusic describes Coltrane Jazz as the saxophone legend's preparation for his launch into his peak years of the 1960s. There are three standards aboard, but the group reaches their peak on Coltrane's original material, particularly "Harmonique" with its melodic leaps and upper-register saxophone strains and the winding, slightly Eastern-flavored principal riffs of "Like Sonny," dedicated to Sonny Rollins. The moody "Village Blues" features the lineup of McCoy Tyner on piano, Elvin Jones on drums, and Steve Davis on bass; with the substitution of Jimmy Garrison on bass, that personnel would play on Coltrane's most influential and beloved 1960s albums.
John Coltrane – Coltrane Jazz – Analogue Productions (Atlantic 75 Series) Hybrid Stereo SACD
Available to Pre-Order
The first album to hit the shelves after Giant Steps, Coltrane Jazz was recorded in November and December 1959, although one of the eight tracks ("Villiage Blues") was recorded in late 1960. On everything save the aforementioned "Village Blues," Coltrane used the Miles Davis rhythm section of pianist Wynton Kelly, bassist Paul Chambers, and drummer Jimmy Cobb AllMusic describes Coltrane Jazz as the saxophone legend's preparation for his launch into his peak years of the 1960s. There are three standards aboard, but the group reaches their peak on Coltrane's original material, particularly "Harmonique" with its melodic leaps and upper-register saxophone strains and the winding, slightly Eastern-flavored principal riffs of "Like Sonny," dedicated to Sonny Rollins. The moody "Village Blues" features the lineup of McCoy Tyner on piano, Elvin Jones on drums, and Steve Davis on bass; with the substitution of Jimmy Garrison on bass, that personnel would play on Coltrane's most influential and beloved 1960s albums.
John Coltrane – Coltrane Plays The Blues – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
John Coltrane – Coltrane’s Sound – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD
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John Coltrane's brief but prodigious Atlantic Records period (1959-61) included the highly underrated Coltrane's Sound, recorded in 1960 and released in 1964. "The title could not have been more accurate, as each of the six pieces bear the unmistakable and indelible stamp of Coltrane's early-'60s style... Regardless of the lack of attention, these recordings remain among Trane's finest," writes AllMusic.
John Coltrane – My Favorite Things – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
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John Coltrane's landmark 1961 jazz album My Favorite Things was born of the same recording sessions that yielded a majority of the albums Coltrane Plays the Blues (1962), Coltrane's Sound (1964), and Coltrane Legacy. That My Favorite Things was recorded in less than three days was in itself, remarkable.
John Coltrane – Ole Coltrane – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
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"His sheer ability as a maverick — beyond his appreciable musical skills — guides works such as this to new levels, ultimately advancing the entire art form." — AllMusic
Coltrane's final album for Atlantic — released in November 1961 — bookends the exploratory motifs he explores on his Impulse! debut, Africa/Brass, recorded concurrently, with each involving knotty rhythmic shifts and Spanish-derived textures.
John Coltrane – Ole Coltrane – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD
Available to Pre-Order
"His sheer ability as a maverick — beyond his appreciable musical skills — guides works such as this to new levels, ultimately advancing the entire art form." — AllMusic
Coltrane's final album for Atlantic — released in November 1961 — bookends the exploratory motifs he explores on his Impulse! debut, Africa/Brass, recorded concurrently, with each involving knotty rhythmic shifts and Spanish-derived textures.
John Coltrane – With The Red Garland Trio – Analogue Productions 200g Vinyl
For his second long player, John Coltrane (tenor saxophone) joined forces with his Prestige labelmate Red Garland (piano) to command a quartet through a five-song outing supported by a rhythm section of Paul Chambers (bass) and Art Taylor (drums). The absence of any unessential instrumentalists encouraged a decidedly concerted focus from Coltrane, who plays with equal measures of confidence and freedom. The Coltrane original “Traneing In” Is a rousing blues that exemplifies the musical singularity between Coltrane and Garland. Even though Garland, the pianist, takes charge from the start, the structure of the arrangement permits the tenor to construct his solo seamlessly out of Garland’s while incrementally increasing in intensity, yet never losing the song’s underlying swinging bop.
John Coltrane – Coltrane Jazz – ORG – Vinyl LP
“Coltrane Jazz” is the sixth studio album by jazz musician John Coltrane, released in 1961 on Atlantic Records, catalogue number SD 1354. The song “Village Blues” is noted as a landmark recording, as it marks the first session date of the early John Coltrane Quartet on record. Featured alongside Coltrane are pianist McCoy Tyner, drummer Elvin Jones, and bassist Steve Davis (who would within 18 months have been replaced by first Reggie Workman and then Jimmy Garrison who would stay with ‘Trane until his death).
John Coltrane – Coltrane Plays The Blues 180g 45RPM Vinyl
Only 2500 Numbered Limited Edition Copies Worldwide!
Extremely limited double 180gm pressing in numbered laminated gatefold jacket.
Mastered by Bernie Grundman from the original analog master tapes and pressed at Gotta Groove.
John Coltrane returned to his roots using the blues to explore the boundaries of jazz!
John Coltrane – Crescent Acoustic Sounds Series – 180g Impulse Vinyl
Crescent is widely regarded as one of John Coltrane’s finest albums, featuring the talents of McCoy Tyner, Jimmy Garrison and Elvin Jones. During 1964, John Coltrane spent the least amount of time in the recording studio of his entire career as a leader. It wasn’t until April 27th that he, along with Tyner, Garrison and Jones went to the familiar surroundings of Rudy Van Gelder’s Englewood Cliffs studio to record all the tracks that appear on Crescent. In a hint of things to come for the Classic Quartet, both Garrison and Jones are featured on extended solos on the album’s second side.
Johnny Hodges – Blues A Plenty Analogue Productions 200g 45RPM Vinyl
One of the giants of the alto saxophone, Johnny Hodges was perhaps the most important soloist and sideman in Duke Ellington’s orchestra from 1928 up to Hodges’ death in 1970. The self-taught player made many solo forays during his long career – one of his ’50s outfits included a young John Coltrane – but history remembers Hodges for his virtuosic sidemanship, particularly his sensitive rendering of ballads.
Joseph Bonner – Impressions Of Copenhagen – Pure Pleasure Records 180g Vinyl LP
Originally released by Theresa in 1992, this frequently exquisite set features the McCoy Tyner-inspired piano of Joe Bonner on four originals, Cal Massey’s Quiet Dawn, and Lush Life.
Bonner and a rhythm section are joined by a string quartet, trumpet, trombone, and flutist Holly Hofmann (the leader provided the arrangements) for music that is both lyrical and often passionate.
Bonner is an underrated talent, and this is one of his finest recordings
Kenny Dorham – Matador Numbered Limited Edition HQ-180g Vinyl LP
• Numbered, Limited Edition
• Limited To 5000 Pressings
• Audiophile 180g Vinyl LP
• 33rpm
• Available on all-analog LP for the first time in nearly 50 years
• First time ever on HQ-180
• Mastered by Chris Bellman from the original analog master tapes
• Original single disc jacket with ribbed paper tip-on over heavy-board stock
• Pressed at RTI
Kirsten Edkins – Shapes & Sound – Cohearent Sound 180g Vinyl
Shapes and Sound by jazz composer/saxophonist Kirsten Edkins
Shapes and Sound from jazz saxophonist Kirsten Edkins is the debut LP release from Cohearent Records — the new record label companion to famed mastering engineer Kevin Gray's latest enterprise, an all-valve (vacuum tube) recording studio (Cohearent Recording) adjoining his home-based mastering facility in California.
"It's the 'essence of an era' we are trying to recapture with today's musicians, not the sound of specific spaces, engineers or recordings," Gray told music reviewer Michael Fremer.
Larry Coryell, Badi Assad, John Abercrombie – Three Guitars – Chesky Records – SACD
Les McCann & Eddie Harris – Swiss Movement – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
Available to Pre-Order
Imagine yourself in a smoky, vibrant jazz club in the 1960s. The album opens with Les McCann, a soulful and charismatic pianist and vocalist, playing the keys with infectious energy. He's accompanied by an equally talented group of musicians. McCann's music is deeply rooted in gospel, blues, and soul, and it shines through in his performance. His warm, expressive voice draws you in, making you feel like you're right there in the audience.
Livingston Taylor – Ink – Chesky Records 180g Vinyl LP
Experience the smooth, heartfelt storytelling of Livingston Taylor with Ink, now available on Chesky Records' 180-gram vinyl LP. Showcasing his signature blend of folk, pop, and jazz, this audiophile-grade pressing delivers an intimate, richly detailed sound, bringing Taylor’s warm vocals and masterful guitar work to life. Recorded with Chesky’s world-renowned high-fidelity techniques, this limited-edition vinyl release ensures a pure, immersive listening experience, making it a must-have for audiophiles, vinyl collectors, and fans of classic singer-songwriters.
Rediscover the magic of Livingston Taylor’s Ink—order your 180G Vinyl LP today!
Lyn Stanley – London With A Twist” – Live At Bernie’s – 45RPM 180g Double LP Numbered Vinyl
This is a master recording hi-fidelity recording of 17 songs tracked and mixed at United Recording (formerly Ocean Way) in Los Angeles. Mixed by Allen Sides (Ocean Way Audio) and Bernie Grundman of Bernie Grundman Mastering. RTI pressed the audiophile quality recording. Two discs included with a total of over an hour of music.
Lyn Stanley – The Moonlight Sessions Vol. 1- Special Limited Edition, 45RPM, 180g, Numbered, SuperSonicVinyl™ ONE-Step Double Vinyl Album.
The Special Limited Edition of Lyn Stanley’s The Moonlight Sessions Volume One SuperSonicVinyl™ released May 30, 2017 this album has been called “Brilliant” by KKjz, Los Angeles’s #1 jazz radio station.
The Moonlight Sessions Project collection includes a collection of timeless jazz classics woven with beautiful classical music from greats such as Chopin, Mozart, Debussy, Beethoven and Ravel to present jazz vocal standards like you’ve never heard them before. Twelve songs on Volume One include All Or Nothing At All, Willow Weep For Me, How Insensitive, Moonlight Serenade, Embraceable You, My Funny Valentine, Close Your Eyes, Girl Talk, Crazy, and In The Wee Small Hours.
Lyn Stanley – The Moonlight Sessions Vol. 2 One Step – Special Ltd Edition, 45RPM, 180g, SuperSonicVinyl
Lyn Stanley’s The Moonlight Series Volume Two was released in August 2017. To date, 1000/2000 of this album have been pressed on the first press run. The song selections are a mixture of jazz standard songs laced with quotes from famous classical composers such as Beethoven, Debussy, Mozart, Maurice Ravel and Chopin from the 1920s to 1970s plus a few “out of the jazz box” songs. Let Lyn Stanley’s highly acclaimed sultry vocals along with her world class musicians take you on an emotional journey of love’s trials and triumphs with arrangements that have been given multiple reviewers’ Five Star ratings!
McCoy Tyner – Time For Tyner Lp (Blue Note Tone Poet Series) – Blue Note Vinyl
The great pianist McCoy Tyner made his Blue Note debut with The Real McCoy in 1967 soon after departing John Coltrane’s quartet and returned to the studio months after Coltrane’s death to record Tender Moments with an expanded ensemble featuring a 6-piece horn section. For his 3rd Blue Note date Time For Tyner, recorded in 1968, the pianist went a different direction by assembling a hornless quartet with vibraphonist Bobby Hutcherson, bassist Herbie Lewis, and drummer Freddie Waits. Tyner and Hutcherson’s first recorded encounter came on the vibraphonist’s 1966 Blue Note album Stick-Up, and here their musical comradery deepened even further.
Mel Torme – Torme – (Verve Records – Acoustic Sounds Series ) 180g Gram Vinyl Record
Tormé is an uptempo gem that Mel Torme swings to perfection. Nicknamed “The Velvet Fog,” Torme was a noted singer, composer, arranger, drummer and actor. This self-titled 1958 studio album was his first record for Verve.
Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve’s Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world’s largest source for audiophile recordings.
Miles Davis – Agharta – 180g 33RPM 2LP Mofi Vinyl
The Apex of Miles Davis’ Electric Period: Agharta Blows Minds with Funk-Rock Jazz Thrills, Improvisational Surprises, Band Chemistry, and Rule-Breaking Freedom
Sourced from the Original Master Tapes: Mobile Fidelity’s 180g 33RPM 2LP Set Presents 1975 Live Album in Audiophile Sound, Plays with a Scope That Matches the Music
1/4” / 15 IPS analog master to DSD 256 to analog console to lathe
Miles Davis – Bitches Brew – MoFi Ultradisc 180g 2LP Box Set
NOW IN STOCK
THE AURAL MOUNT RUSHMORE OF JAZZ FUSION: MASTERED FROM THE ORIGINAL MASTER TAPES, PRESSED AT RTI ON MOFI SUPERVINYL, AND HOUSED IN A LAVISH BOX "Listen to This." As the original working title for Bitches Brew, the instruction and invitation resonates to this day as the best way to approach a record that shattered conventions, altered music history, and, more than 50 years later, still sounds far ahead of its time. The aural Mount Rushmore of jazz fusion, Bitches Brew is rightly ranked by virtually every significant press outlet among the 100 greatest albums ever made. Sewn together with vibrant colors, voodoo textures, and ethereal moods, the 1970 landmark emerges with supreme detail and nonpareil feeling on Mobile Fidelity's UltraDisc One-Step 180g 2LP vinyl box set. Mastered from the original master tapes, pressed on MoFi SuperVinyl at RTI, and strictly numbered and limited, this definitive reissue enhances every element of a double album that established new possibilities for studio recording techniques. You'll hear wider and deeper soundstages, more separation between instruments, and a drastically broadened dynamic range. If ever a jazz album can be said to have gone to outer space and back, this is it.
Miles Davis – DECOY – Crystal Clear Vinyl
MILES DAVIS – E.S.P. – MOFI 2 x 180g, 45RPM VINYL
Splits Divide Between Accessible Hard-Bop And Cutting-Edge Improvisation: A Paragon Of Cohesion, Chemistry, Interplay 1/4" / 15 IPS analog copy to DSD 256 to analog console to lathe
A landmark recording and masterful symphony of performance, composition, and execution, Miles Davis' E.S.P. established the template jazz would follow for the following decade. The 1965 record splits the gap between accessible hard-bop and the cutting-edge approach Davis increasingly pursued into the 1970s. Adventurous, sophisticated, and yet altogether cohesive, E.S.P. stands out not only due to its elastic compositions but via its chemistry, interplay, and feeling attained by the instrumentalists. The first album Davis' classic second quintet made together, it's also very arguably the group's best. Never before has the effort been experienced in such transformational sound.
Miles Davis – Miles Smiles – Speakers Corner 180g Vinyl
Miles Davis – Milestones – 180g 33RPM Mofi Mono Vinyl
Miles Davis' Only Studio Album with His Original Sextet: Milestones Features John Coltrane and Cannonball Adderley
Mobile Fidelity's Numbered-Edition 180g 33RPM LP Presents 1958 Benchmark in Riveting Mono Sound
1/4" / 15 IPS analog mono master to DSD 64 to analog console to lathe
Miles Davis created just one studio album with his original sextet. He made every moment count. Pairing with Cannonball Adderley, John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones, the trumpeter not only laid the groundwork for the modalism that immediately followed but tailored a genuine modern-jazz masterwork laden with performances among the most explosive of his distinguished career. Due to its sandwiched position between the more famous 'Round About Midnightand epochal Kind of Blue, Milestones remains, for too many music lovers, an overlooked classic.
Miles Davis – On the Corner – Mofi 180g Super Vinyl
Available to Pre-Order
1/4" / 15 IPS analog master to DSD 256 to analog console to lathe
Miles Davis' boundlessly influential On the Corner was so far ahead of its time upon release in 1972, the jazz cognoscenti rejected its groundbreaking concoction as middling in nature. Yet time has a way of righting wrongs and shifting views by adding needed context and perspective to visionary ideas, music, and approaches — the likes of which fill Davis' boldest and most controversial — undertaking. Designed to bring the focus back on the groove and bottom-end frequencies, the funk-loaded On the Corner revolutionized jazz. It also set new standards for record production, presaging remixing and electronica by more than a decade. And the work has never sounded more thrilling thanks to this very special pressing.
Miles Davis – Round About Midnight – Speakers Corner 180g Vinyl LP
Few musicians have managed to change the course of music–trumpeter Miles Davis did it several times. An early disciple of Charlie Parker, Davis created an austere, understated approach that became the model for cool. His superb albums in the 1950s made him a star, and in the following decade, he brought small-group jazz to the limit before he unapologetically (and, for some, unforgivably) took on jazz-rock. After a break, he re-emerged in the ’80s with a mixture of pop and dense, bristling funk. All the while, his refusal to follow anyone but his own muse made him both a hero and an enigma–either way, he was one of the most magnetic, influential figures in American music.
Miles Davis – Seven Steps to Heaven – Mofi 180g SuperVinyl LP
Sourced From The Original Analog Master Tapes And Pressed At Rti: Supervinyl Lp Plays With Superb Clarity, Detail, Tone, And Definition 1/4" / 15 IPS / Dolby SR analog remix master to DSD 256 to analog console to lathe
Seven Steps to Heaven arrived at a crucial junction in Miles Davis' career. Recorded at two separate locations in spring 1963, it served as Davis' first release in more than a year – a layoff that was then unprecedented for the jazz visionary who had issued at least one LP a year since debuting in the early '50s. Equally notable, Seven Steps to Heaven marks the point at which the core of Davis' Second Great Quintet started to assemble. The twice Grammy-nominated effort is also Davis' final studio record to blend standards with originals. And it happens to be one of the expressive, well-played albums in the jazz canon.Miles Davis – Seven Steps to Heaven – Mofi SACD
Sourced From The Original Analog Master Tapes: Hybrid Sacd Plays With Superb Clarity, Detail, Tone, And Definition
Seven Steps to Heaven arrived at a crucial junction in Miles Davis' career. Recorded at two separate locations in spring 1963, it served as Davis' first release in more than a year – a layoff that was then unprecedented for the jazz visionary who had issued at least one LP a year since debuting in the early '50s. Equally notable, Seven Steps to Heaven marks the point at which the core of Davis' Second Great Quintet started to assemble. The twice Grammy-nominated effort is also Davis' final studio record to blend standards with originals. And it happens to be one of the expressive, well-played albums in the jazz canon.
