Al Di Meola, John McLaughlin & Paco De Lucia SATURDAY Night In San Francisco Limited Edition Audiophile CD
IN STOCK NOW
Audiophile CD Never before released!!!
Assembled from the original 16-track analog live session tapes by Al Di Meola with engineers Katsu Naito & Roy Hendrickson Mastered from analog tapes by Bernie Grundman at Bernie Grundman Mastering Pressed at Record Technology Inc. Deluxe new packaging with never-before-seen photos Exclusive essay by Charles L. Granata feat. new interviews with Al Di Meola & original recording engineer Tim Pinch Long-Awaited Follow Up To Friday Night In San Francisco! From Original 16-Track Analog Live Session Tapes by Al Di Meola, Katsu Naito & Roy Hendrickson! Mastered From Analog Tapes by Bernie Grundman! Pressed at RTI!
Alexander Gibson – Witches’ Brew – Analogue Productions 180g Vinyl
We've taken this classic and given it the full Analogue Productions reissue treatment, featuring a remaster by Germany's Willem Makkee from the original analog tapes, and plating and 180-gram pressing by Quality Record Pressings. Topping it off is a thick cardboard Stoughton Printing tip-on jacket.
If such music didn't cast the right sort of spell, so many listeners wouldn't be returning to it on so many occasions, somehow feeling constantly refreshed.
Alice Coltrane – Journey In Satchidananda – Acoustic Sounds (Verve) 180G Vinyl
Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
Amanda McBroom Midnight Matinee XRCD24
Available for the first time on XRCD24 – this release was produced by Peter Bunetta and Rick Chudacoff for Ripe Productions, also the producers for Dreaming. (To their credits they have also produced Michael Bolton’s Soul Survivor, Smokey Robinson’s One Heartbeat and Patti LaBelle’s New Attitude.) Guests on the project include Bob James, who plays keyboards on two tracks, guitarist Robben Ford and keyboardist Brad Cole, who plays with the Phil Collins Band. Audiophiles who’ve enjoyed Amanda’s work for years will certainly want to finally include this XRCD24.
Arnett Cobb – Ballads By Cobb – Analogue Productions 180g Stereo Vinyl
Originally released in November 1960, Ballads by Cobb, as its title suggests, is all slow ballads, putting the emphasis on the Texas tenor’s warm tone.
A Texas tenor player in the tradition of Illinois Jacquet, Arnett Cobb's accessible playing was between swing and early rhythm & blues. His stomping, robust style earned him the title "Wild Man of the Tenor Sax."
ART BLAKEY & THE JAZZ MESSENGERS – DRUM SUITE – 180g Impex Records
Some of the greatest jazz musicians of all time have passed through Art Blakey’s Jazz Messengers: Horace Silver, Hank Mobley, Kenny Dorham, Wayne Shorter, and Donald Byrd, among many others.
However brief their stay, working with the demanding and full-throttle drummer not only increased their visibility, but also their chops and interprative capacity. Blakey’s ability to drum up the best players in the game may have even eclipsed his superhuman ability to play drums.
Art Blakey and The New Jazzmen – Live In Paris ’65 – Sam Records 180 Vinyl LP
A never-before released Art Blakey 1965 live recordings. First official release with the full permission and cooperation of the Art Blakey Estate & INA (Institut National de l’Audiovisuel).
Art Blakey, Live in ’65 boasts an exceptional one-hour concert from Paris in 1965. This performance showcases one of the few undocumented Blakey bands, the New Jazzmen, featuring Freddie Hubbard on trumpet, Jaki Byard on piano, Reggie Workman on bass, Nathan Davis on sax, and, of course, Blakey on drums.
Art Farmer – Portrait of Art Farmer – Contemporary Records (Acoustic Sounds Series) 180g Vinyl
Acoustic Sounds and Contemporary Records present this new reissue of iconic jazz trumpet player Art Farmer’s 1958 Contemporary Records debut, “Portrait of Art Farmer”. Featuring Hank Jones (piano), Addison Farmer (bass) and Roy Haynes (drums) with this edition pressed on 180-gram vinyl pressed at QRP with (AAA) lacquers cut from the original tapes by Bernie Grundman. It is presented in a tip-on jacket.
Art Pepper – Gettin’ Together – Contemporary Records (Acoustic Sounds Series) 180g Vinyl
Continuing Craft Recordings’ celebration of seminal jazz artists from Contemporary Records
This new edition, released as part of the Contemporary Records Acoustic Sounds Series, features (AAA) lacquers cut from the original master tapes by Bernie Grundman and is pressed on 180-gram vinyl at QRP, and presented in a Stoughton Printing tip-on jacket.
Art Pepper – Intensity – Contemporary Records (Acoustic Sounds Series) 180g Vinyl
ART PEPPER + Eleven – Contemporary Records (Acoustic Sounds Series)180g Vinyl
Throughout the 1950s, ’60s and ’70s, Lester Koenig’s artist-friendly Los Angeles-based audiophile jazz label documented career-defining performances by some of modern jazz’s most influential and accomplished improvisers, including Ornette Coleman, Sonny Rollins, Harold Land and Benny Golson. No musician is more closely identified with Contemporary than Pepper, whose cool tone and simmering lyricism made him one of the very few mid-century alto saxophonists to forge a path independent of bebop patriarch Charlie Parker’s pervasive influence.
Produced by Koenig and recorded in 1959, Art Pepper +Eleven: Modern Jazz Classics is one of the saxophonist’s masterpieces. Featuring brilliant arrangements by Marty Paich, the album elaborates on the lush but lithe sound introduced by the epochal Birth of the Cool sessions, which Miles Davis started to record almost exactly a decade earlier (like Birth, +Eleven kick offs with Denzil Best’s “Move”). Surrounded by the cream of the LA scene, including fellow saxophone masters Herb Geller, Bill Perkins and Med Flory, Pepper brings all his scorching lyricism to a program of modern jazz standards by Horace Silver, Thelonious Monk, Gerry Mulligan and Sonny Rollins.
