Showing 277–288 of 387 results

Patricia Barber – Companion 1STEP Numbered Limited Edition Impex 180g 45rpm 2LP Vinyl

£195.00
Now in Stock
Impex 1STEP #5 celebrates Patricia Barber’s 1999 “return” to The Green Mill, Chicago’s fabled jazz club. Conceived as a “companion” to her Grammy-winning studio album Modern Cool, Companion finds Barber and her touring band in inspired form, playfully and energetically performing hits and deep tracks from her celebrated oeuvre ("work").
 

Patricia Barber – Clique – Impex Records 180g Audiophile Vinyl

£65.00
Audiophile 180g Vinyl LP! Recorded & Mixed by Jim Anderson in DXD Ultra-High Resolution! Mastered by Bob Ludwig & Lacquers Cut by Scott Hull at Masterdisk! Pressed at RTI! Similar in concept to her earlier classic NIGHTCLUB, CLIQUE! gives Patricia and her long-time band (Jon Deitemyer, drums; Patrick Mulcahy, bass; Neal Alger, guitar; Jim Gailloreto, tenor sax) a stellar showcase for their telepathic musical communication and consummate jazz chops. Barber said of recording an all-standards album: "The harmonic language of jazz, as well as that of the Great American Songbook, is certainly rich - look how much has come out of it - but it's circumscribed. I started wanting to hear something else."

Patricia Barber – Clique – Impex Records Hybrid Multi-Channel & Stereo SACD

£45.00
Hybrid Multi-Channel & Stereo SACD!
· Stereo & 5.1 Surround Mixed by Jim Anderson at Skywalker Sound! Mastered by Bob Ludwig at Gateway Mastering! · Includes Never-Before-Seen Photos & Essays!

Peter Frampton “Frampton’s Camel” – Intervention Records 180g Vinyl

£45.00
A showcase for Peter Frampton’s growth as a songwriter and guitar player, Frampton’s Camel is named after his touring band, honoring the groove this collective had reached in 1973.
Prominently featuring Mick Gallagher’s superlative keyboards, the hard-rocking hooks and catchy melodies here lay the foundation for the superstardom that would come just a couple albums and tours later with Frampton Comes Alive.
Camel includes the smash hits “Lines On My Face,” “Don’t Fade Away” and a majestic cover of Stevie Wonder’s “I Believe (When I Fall In Love With You It Will Be Forever).”

Peter Frampton “Wind of Change” – Intervention Records 180g Vinyl

£45.00
An auspicious and stirring debut, “Wind of Change” launched Frampton’s solo career and began the inexorable path to superstardom.
Intervention’s Frampton@50 series 180G vinyl reissues are 100% Analog Mastered by Chris Bellman at Bernie Grundman Mastering from the best analog tape sources available.

Peter, Paul & Mary – Album 1700 – Analogue Productions 180g 45 RPM Vinyl

£75.00
This is a phenomenal reissue of a significant album for the famed folk rock trio. Album 1700, released in 1967, yielded the group's final hit single (and only No. 1), "Leaving on a Jet Plane." It also yielded graceful folk-rock trappings for their repertoire of originals and covers by, among others, Bob Dylan and Eric Anderson, writes David Wolf for Amazon.com.

Petteri Iivonen: J.S. Bach Partita No. 2 in D Minor 180g 45RPM Vinyl

£49.95
After living a number of years in the United States, GRAMMY® and ICMA Nominated Finnish violinist Petteri Iivonen returned to Europe where he became concertmaster of the Finnish Opera orchestra in Helsinki before moving to Paris to serve as concertmaster for the Paris Opera. Petteri's ability to play in many styles with sincerity and his natural lyrical facility with his instrument made him the ideal candidate to work with luminary conductors such as Esa-Pekka Salonen in Helsinki and now Gustavo Dudamel at Paris Opera.

Pharoah Sanders – Live – Theresa Records 180 Vinyl 2 LP Gatefold Sleeve

£49.95
This album features Pharoah Sanders playing some no-nonsense tenor in a quartet with pianist John Hicks, bassist Walter Booker, and drummer Idris Muhammad. Sanders performs “It’s Easy to Remember” (in a style very reminiscent of early-’60s John Coltrane), an original blues, and two of his compositions, including the passionate “You’ve Got to Have Freedom.”
The musicianship is at a high level and, although Sanders does not shriek as much as one might hope (the Trane-ish influence was particularly strong during this relatively mellow period), he is in fine form. Review by Scott Yanow/AMG

Pharoah Sanders : Live – Pure Pleasure Records 180g 2 LP Vinyl

£50.00
"This is a glorious, jubilant performance that reminds us that Sanders was at his most effective communicator when he had an audience, like a righteous preacher feeling the spirit with the faithful." Kevin Le Gendre - Jazzwise March Issue

Philip Catherine & Nicolas Fiszman Live At The Berlin Jazzbühne Festival 1982 – The Lost Recordings 180g Vinyl

£65.00
We are privileged to have unearthed this unique concert where two outstanding artists bring together two cultures to create an intense blaze of happiness.

Pink Floyd – The Dark Side Of The Moon 50th Anniversary 2023 Remaster Limited Collectors Edition Uv Vinyl Picture Disc

£65.00
IN STOCK!!
As part of the 50th Anniversary 2023 remaster campaign, Pink Floyd will release a Collector’s Edition of The Dark Side Of The Moon on crystal clear vinyl.
This will be a 2 x 180g single sided LP set, featuring UV artwork print on the non-groove sides.
This new edition of the album will feature the prism spectrum seen through the playable side of the vinyl whilst maintaining the best quality sound that fans will expect. It will be packaged in a slip cased gatefold sleeve, with an exclusive poster.
 

Portishead – Roseland NYC Live – 25th Anniversary Edition – 2LP Coloured Vinyl Gatefold Sleeve

£42.00
25th Anniversary Edition of the pioneering Bristol trio’s album, Roseland NYC Live; recorded and filmed at New York’s Roseland Ballroom with a 28-piece orchestra in 1997, and released in 1998.
The live album and concert film combined have sold over 1 million copies to date, and features performances of the most acclaimed tracks, ‘Glory Box’, ‘Sour Times’, and ‘Roads’, from their debut and sophomore albums, Dummy and Portishead.
Newly remastered, the tracklist has been expanded to include ‘Undenied’ and ‘Numb’ from the concert film, as well as the full length performance of ‘Western Eyes’, which played in part over the credits of the film.