John Coltrane – Crescent Acoustic Sounds Series – 180g Impulse Vinyl
Crescent is widely regarded as one of John Coltrane’s finest albums, featuring the talents of McCoy Tyner, Jimmy Garrison and Elvin Jones. During 1964, John Coltrane spent the least amount of time in the recording studio of his entire career as a leader. It wasn’t until April 27th that he, along with Tyner, Garrison and Jones went to the familiar surroundings of Rudy Van Gelder’s Englewood Cliffs studio to record all the tracks that appear on Crescent. In a hint of things to come for the Classic Quartet, both Garrison and Jones are featured on extended solos on the album’s second side.
John Lee Hooker – Burning Hell (Bluesville/Acoustic Sounds Series) 180g Vinyl
NOW AVAILABLE
Burning Hell was recorded in 1959 in Detroit, MI, but wasn’t released until 1964. Even then, it was only available in the UK. This 180-gram vinyl pressing marks the first official single LP worldwide release the album has seen. Pressed at QRP as part of the Bluesville Records / Acoustic Sounds series, the album features Hooker solo as he plays originals and classics. AllMusic states that, on this album, “Hooker shows himself to be an excellent interpreter who could have held his own with Delta bluesmen of any era.”
John Prine – John Prine – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.
Johnny Cash – At Folsom Prison – 180g 45RPM 2LP Mofi Vinyl
IN STOCK NOW!!
The 1968 Album On Which Johnny Cash Became A Legend: At Folsom Prison Among The Most Important And Potent Statements Of The 20Th Century
Mastered on MoFi’s Mastering System: Mobile Fidelity Numbered-Edition 180g 45RPM 2LP Set Plays with Arresting Immediacy, Spaciousness, and Directness
1/4″ / 15 IPS analog copy to DSD 256 to analog console to lathe
Johnny Cash already knew his way around Folsom Prison when he and his band stepped inside the institution’s forbidding walls on the morning of January 13, 1968 to record At Folsom Prison. He’d played there two years prior. But this time was different.
Johnny Cash – At Folsom Prison – Mofi SACD
IN STOCK NOW!
The 1968 Album On Which Johnny Cash Became A Legend: At Folsom Prison Among The Most Important And Potent Statements Of The 20Th Century
Mastered on MoFi’s Mastering System and Strictly Limited to 3,000 Numbered Copies: Mobile Fidelity’s SACD Set Plays with Arresting Immediacy, Spaciousness, and Directness
Johnny Cash already knew his way around Folsom Prison when he and his band stepped inside the institution’s forbidding walls on the morning of January 13, 1968 to record At Folsom Prison. He’d played there two years prior. But this time was different.
Johnny Coles – Little Johnny C Lp (Blue Note Classic Vinyl Series)
Trumpeter Johnny Coles was performing with the Gil Evans Orchestra at Birdland in 1959 when he unknowingly made a fan who would open an important door for him a few years later. That fan was pianist Duke Pearson, who was enthralled by the trumpeter’s solo spotlight that night, and after hearing him again the next year as a featured soloist in James Moody’s band, Pearson and Coles formed their own musical relationship and began performing together frequently.
Johnny Hodges – Blues A Plenty Analogue Productions 200g 45RPM Vinyl
One of the giants of the alto saxophone, Johnny Hodges was perhaps the most important soloist and sideman in Duke Ellington’s orchestra from 1928 up to Hodges’ death in 1970. The self-taught player made many solo forays during his long career – one of his ’50s outfits included a young John Coltrane – but history remembers Hodges for his virtuosic sidemanship, particularly his sensitive rendering of ballads.
Johnny Winter – Johnny Winter – 180G Speakers Corner Vinyl
Joni Mitchell – Blue – MoFi 180g 45RPM SuperVinyl 2LP Box Set
NOW IN STOCK!!
Blue Reaches New Audiophile Heights On Ultradisc One-Step
Mastering Source to Be Determined Closer to Production Date; Specifics Will Be Posted Here When Authenticated
Deemed the third Greatest Album of All Time by Rolling Stone; universally celebrated by critics, fans, artists, and educators; and defined by a spell of disarmingly vulnerable songs at once confessional, intense, spare, honest, painful, hopeful, and exquisite, Blue charts love, spiritualism, independence, and loss like no record before or since. It is the epitome of brilliance – and sounds more intimate, involving, and inescapable than ever on MoFi SuperVinyl via Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP box set.
Joni Mitchell – Court and Spark – MoFi 180g 45RPM SuperVinyl 2LP Box Set
IN STOCK NOW
Ultradisc One-Step Box Set Of Lush 1974 Album Plays With Arresting Detail, Clarity, And Openness
Mastering Source to Be Determined Closer to Production Date; Specifics Will Be Posted Here When Authenticated
Court and Spark, the most commercially successful album of Joni Mitchell's trailblazing career, arrived after a year in which she took some time to breathe and kept a low profile. The much-deserved break led to yet more breakthroughs. Demonstrably marking Mitchell's increasing drift toward jazz (and proclivity for absorbing the works of Miles Davis and John Coltrane), and teeming with heightened confidence, beautiful melodies, and shape-shifting arrangements, the lush 1974 record earned four Grammy nominations and was voted the Best Album of the Year in the prestigious Pazz & Jop poll.
Joni Mitchell – For the Roses – MoFi 180g 45RPM SuperVinyl 2LP Box Set
Available to Pre-Order
For The Roses Captures Joni Mitchell Amid A Beautiful Transition, Plays With You-Are-In-The-Room Sound
Mastering Source to Be Determined Closer to Production Date; Specifics Will Be Posted Here When Authenticated
Joni Mitchell could've been forgiven if she chose to artistically and emotionally retreat on For the Roses, her 1972 follow-up to Blue – and a record made during a period she later called "melancholy exile." The singer-songwriter does nothing of the sort. In a move that foreshadowed what she would continue to do throughout her career, Mitchell dares to imagine – and deliver – novel ways of conveying emotion, color, thought, and wisdom via elegant combinations of music and lyrics.
