Jefferson Airplane – Volunteers 180g 45RPM 2 LP MOFI Vinyl
Seminal 1969 Album Steeped in Revolution, Vitality, Protest: The Aural Equivalent of a Demonstration March
Awash in controversy and loaded with revolutionary protest, Jefferson Airplane’s Volunteers stands as the last album made by the group’s classic lineup and brings insurgent closure to the peace-and-love era. The potent 1969 record confronts war, politics, greed, and environmental ruin in head-on fashion matched by few peers. Steeped in the belief people and music could transform the world, it steers the band in community-minded and county-rock directions, and features charged playing by guest luminaries such as Jerry Garcia, Stephen Stills, David Crosby, and Nicky Hopkins. Volunteers also benefits from being one of the first 16-track recordings. And now, the historic set can be heard in the fidelity the artists and producers intended.
Jennifer Warnes – Famous Blue Raincoat 180g Impex Vinyl
Newly remastered by Bernie Grundman on his all-tube cutting system and personally supervised by Ms. Warnes, Famous Blue Raincoat is ready to be discovered by a new generation of vinyl enthusiasts seeking the purest musical alchemy, and vocal interpretation. Come see how far we’ll go for beauty.
Back in print, an exclusive 33-rpm all-analogue vinyl LP of her ground-breaking classic.
Jennifer Warnes Another Time, Another Place Impex Vinyl
Jesse Sharps – Sharps and Flats
Jethro Tull – Stand Up – Analogue Productions 180g 45rpm Vinyl
In stock now
Clean, balanced, richly detailed. Just the way an Analogue Productions reissue should sound. You'll experience Jethro Tull classics such as "Bouree," "A New Day Yesterday," "Look Into The Sun," "We Used To Know," "Fat Man" and the rest with a new appreciation for the Grammy-winning progressive act's musical skill and innovation. Score Sound - 9 | Music - 9 (Michael Fremer)
Jimmie Lee Robinson – All My Life 45RPM 200g 2LP Analogue Productions Vinyl
If you tire easily of the overdone, overproduced contemporary blues – the garbage that sounds like plastic instruments being played in a tin box – and if you’ve ever wondered why that stuff is even filed under blues, than you’re like Jimmie Lee Robinson. To Jimmie Lee, the blues are more than just fast notes and wild guitar solos. They are about feelings deep and personal. They punch at emotions.
With All My Life, his second APO Records release, Jimmie Lee is aiming for goose bumps and tears. And if you’ve got appreciation for acoustic, front porch blues, you’ll have a tough time escaping his spell.
Jimmy Smith – Root Down (Verve Acoustic Sounds) 180g Vinyl LP
Root Down was Hammond B-3 jazz legend Jimmy Smith’s 1972 live jazz album for Verve. Recorded in Los Angeles on February 8, 1972, it includes the title track, which was sampled by the Beastie Boys for their song “Root Down.” The song peaked at No. 24 on the Billboard Top Jazz Album charts.
Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve’s Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world’s largest source for audiophile recordings.
Jimmy Smith – The Cat (Verve Acoustic Sounds) 180g Vinyl Record
The Cat is jazz organist Jimmy Smith’s 1964 album, a notable chart-marking release that reached No. 12 on the Billboard 200. Featuring Smith on the Hammond B-3, this set has some tasteful arrangements for the big band by Lalo Schifrin, and some good playing by the great organist on a variety of other blues-oriented material.
Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve’s Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world’s largest source for audiophile recordings.
