Harry Nilsson – Son of Schmilsson – MoFi Numbered Ltd Edition 180g 45rpm Vinyl 2LP
Helen Humes – Songs I Like To Sing! – Contemporary Records (Acoustic Sounds Series) 180g Vinyl
Helen Humes – Songs I Like To Sing! – Contemporary Records (Acoustic Sounds Series) 180g Vinyl LP is a captivating record that showcases the timeless charm and soulful vocals of Helen Humes. This 180g vinyl edition, part of the Acoustic Sounds Series on Contemporary Records, delivers pristine sound quality and an authentic vintage listening experience. With its rich, warm tones and impeccable pressing, this LP is a must-have for jazz and blues aficionados. Add this classic release to your vinyl collection and enjoy the enduring musical legacy of Helen Humes.
Herbie Hancock – Speak Like A Child – 180G Blue Note Vinyl LP In A Gatefold Sleeve
Herbie Hancock – Speak Like a Child 180g Vinyl LP: Lyrical Jazz Mastery on Blue Note Analogue
A beautifully introspective session from jazz pioneer Herbie Hancock, Speak Like a Childblends lyrical melodies with lush harmonies and subtle swing. Pressed on heavyweight 180g vinyl and housed in a gatefold sleeve, this Blue Note reissue delivers analogue warmth and refined detail—ideal for audiophiles and classic jazz collectors alike.
Herbie Nichols – The Prophetic Herbie Nichols Vol. 1 & 2 Blue Note Re-Issue Vinyl
Blue Note Classic Vinyl Edition on 180-gram LP
Art Blakey’s 1960 hard bop classic, The Big Beat, introduced one of the greatest line-ups of the Jazz Messengers with the legendary drummer joined by Lee Morgan, Wayne Shorter, Bobby Timmons, and Jymie Merritt. 3 of the 6 tunes were composed by Shorter, but the album is best-known for an unforgettable version of Timmons’ enduring hit “Dat Dere.” Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180-gram vinyl at Optimal in Germany.
Horace Parlan – Speakin’ My Piece (Classic Vinyl Series) Blue Note Vinyl
Best known for his work with Charles Mingus, pianist Horace Parlan began recording for Blue Note in 1960 with an excellent run of hard bop classics including Speakin’ My Piece, a quintet date featuring a frontline of Stanley Turrentine on saxophone and Tommy Turrentine on trumpet with the rhythm team of George Tucker on bass and Al Harewood on drums. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
Horace Tapscott – TAPSCOTT and WINDS
Horace Tapscott Conducting The Pan-Afrikan Peoples Arkestra: Flight 17 – Pure Pleasure Records
Horace Tapscott Conducting The Pan-Afrikan Peoples Arkestra: The Call – Pure Pleasure Records
There are certain albums you hear something new every time you revisit the music and this is one of those albums. An important part of Afro-American history; the politics and art which surrounded the album. If you get a chance check out the film ‘Horace Tapscott, Musical Griot’, by filmmaker Barbara McCullough, or buy the book ‘Songs Of The Unsung’: The Musical & Social Journey of Horace Tapscott’
UK VIBE Mark Jones
Horace Tapscott: Dial ‘B’ For Barbra – 2 x LP Pure Pleasure Vinyl
“The best of pianist Horace Tapscott’s recordings for the tiny Nimbus label is this 1981 LP which features him in a sextet with trumpeter Reggie Bullen, altoist Gary Bias, tenor saxophonist Sabir Matteen, bassist Roberto Miranda and drummer Everett Brown, Jr. The group stretches out on a couple of Tapscott’s originals plus a 19½-minute version of Linda Hill’s”Dem Folks.” Although the music could be called avant-garde, its use of rhythms and repetition keep the results from being forbidding and the performances have a momentum of their own.”
Scott Yanow/AMG
Howard McGhee – Maggie’s Back In Town! – Contemporary Records (Acoustic Sounds Series) 180g Vinyl
Just in time for summer comes this reissue featuring the criminally unsung Howard McGhee, the dexterous bebop trumpeter who’s frequently compared to greats such as Dizzy Gillespie and Fats Navarro. Maggie’s Back in Town!! (Maggie was McGhee’s nickname), captures the musician’s triumphant return to music in 1961. AllMusicrates the album as, “McGhee’s finest recording of the period.” He overachieves in rhythmic fluidity, a through line that’s particularly potent in seemingly carefree songs such as “Sunset Eyes” and the title track.
This new edition, released as part of the Contemporary Records Acoustic Sounds Series, features (AAA) lacquers cut from the original master tapes by Bernie Grundman and is pressed on 180-gram vinyl at QRP, and presented in a Stoughton Printing tip-on jacket.
Humble Pie – Smokin’ – Analogue Productions 45pm 180g Vinyl LP
80-gram 45 RPM double LP! Turn up the heat with the iconic Smokin’ 1972 album by Humble Pie! Mastered by Kevin Gray from a 1/2” flat tape copy of the original master Pressed at Quality Record Pressings
Shortly before cutting the hard-rock classic Smokin’, Humble Pie played the biggest US gig of them all: Shea Stadium, opening for Grand Funk Railroad. It was a make-or-break moment for the U.K. band, and just as the set was heating up, it began to rain. Playing during a storm is a risky situation in the best of times, but in 1971 it meant taking your life in your hands. Frontman Steve Marriott took the mic and dramatically announced that the group didn’t care: “It’s comin’ down rain, and we don’t give a f***! We’re gonna rock your asses all night long!”
