Johnny Cash – At Folsom Prison – Mofi SACD
IN STOCK NOW!
The 1968 Album On Which Johnny Cash Became A Legend: At Folsom Prison Among The Most Important And Potent Statements Of The 20Th Century
Mastered on MoFi’s Mastering System and Strictly Limited to 3,000 Numbered Copies: Mobile Fidelity’s SACD Set Plays with Arresting Immediacy, Spaciousness, and Directness
Johnny Cash already knew his way around Folsom Prison when he and his band stepped inside the institution’s forbidding walls on the morning of January 13, 1968 to record At Folsom Prison. He’d played there two years prior. But this time was different.
Joni Mitchell – For the Roses – MoFi 180g 45RPM SuperVinyl 2LP Box Set
Available to Pre-Order
For The Roses Captures Joni Mitchell Amid A Beautiful Transition, Plays With You-Are-In-The-Room Sound
Mastering Source to Be Determined Closer to Production Date; Specifics Will Be Posted Here When Authenticated
Joni Mitchell could've been forgiven if she chose to artistically and emotionally retreat on For the Roses, her 1972 follow-up to Blue – and a record made during a period she later called "melancholy exile." The singer-songwriter does nothing of the sort. In a move that foreshadowed what she would continue to do throughout her career, Mitchell dares to imagine – and deliver – novel ways of conveying emotion, color, thought, and wisdom via elegant combinations of music and lyrics.
Joni Mitchell – The Hissing of Summer Lawns – MoFi 180g 45RPM SuperVinyl 2LP Box Set
Available to Pre-Order
1975 Album Plays With Supreme Soulfulness On Ultradisc One-Step Box Set Mastering Source to Be Determined Closer to Production Date; Specifics Will Be Posted Here When Authenticated
The Hissing of Summer Lawns is personal protest music and barbed social commentary as only Joni Mitchell can deliver. The follow-up to her most commercially successful album pursues adventurous jazz-dictated directions, abstract impulses, and tough-minded lyrics that stand in contrast to much of her prior work.
Les McCann & Eddie Harris – Swiss Movement – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
Available to Pre-Order
Imagine yourself in a smoky, vibrant jazz club in the 1960s. The album opens with Les McCann, a soulful and charismatic pianist and vocalist, playing the keys with infectious energy. He's accompanied by an equally talented group of musicians. McCann's music is deeply rooted in gospel, blues, and soul, and it shines through in his performance. His warm, expressive voice draws you in, making you feel like you're right there in the audience.
Matchbox Twenty – Yourself Or Someone Like You – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
IN STOCK
Described by AllMusic as the standard-bearer for post-alternative rock 'n' roll because of its '90s production dynamics, while still holding true to its classic rock core, Yourself or Someone Like You — the debut album from Matchbox Twenty — features sturdy songs and fairly strong hooks, all delivered forcefully with lead singer-songwriter Rob Thomas's distinctive bravado.
Miles Davis – DECOY – Crystal Clear Vinyl
Miles Davis – The Man With The Horn – Crystal Clear Vinyl
Miles Davis – We Want Miles – 2 LP Opaque Yellow Vinyl
Miles Davis Black Beauty: Miles Davis At Fillmore West – 180g 33RPM 2LP Mofi Vinyl
Miles Davis – Black Beauty: Miles Davis at Fillmore West is an extraordinary live recording capturing the innovative genius of Miles Davis at the iconic Fillmore West venue. Recorded with pristine clarity, this release showcases electrifying performances of timeless jazz classics that highlight Davis’s masterful trumpet work and his ensemble’s seamless interplay. Pressed on high-quality vinyl, this album delivers a rich, immersive listening experience with warm, dynamic sound. A must-have for dedicated jazz aficionados and vinyl collectors, it stands as a timeless testament to Miles Davis’s live brilliance.
Miles Davis You’re Under Arrest – Crystal Clear Vinyl
Mofi The Stooges – The Stooges – Mofi 180g 45RPM Vinyl LP
Few albums inspired the reactions and registered the impact of the Stooges’ primordial self-titled debut. To a majority of listeners who encountered it shortly after it was released the same week Woodstock happened in 1969, the record seemingly came from another planet despite the fact its songs reflect the band’s Detroit surroundings and youthful malaise.
Originally deemed by Rolling Stone “loud, boring, tasteless, unimaginative and childish” — sentiments shared by many critics — only later to be included on the magazine’s 500 Greatest Albums of All Time register, The Stooges established the template for myriad styles and the snarling attitude that would be associated with the still-years-away punk scene. Time further proved the band’s stomping, clattering rock ‘n’ roll way ahead of the curve given the work is now cited on endless “Best Album” lists.
