Showing 73–84 of 110 results

Norah Jones – Feels Like Home – Analogue Productions Hybrid SACD

£49.95
Mastered by George Marino at Sterling Sound from the original analog master tapes to vinyl and PCM. The DSD was sourced from the PCM. George listened to all of the different A/D converters he had before he chose which to use, and he felt the George Massenburg GML 20 bit A/D produced the best and most synergistic sound for the project. “I think we’ve gotten something quite a bit better than wh Mastered by Kevin Gray at Cohearent Audio from the original source recordings! Part of Analogue Productions’ reissue of the Norah Jones’ solo catalog, featuring the individual albums Come Away With Me, Feels Like Home, Not Too Late, The Fall and Little Broken Hearts. Each album is featured in exclusive LP and SACD box sets that include Norah’s Covers album! 2005 Grammy Awards: Best Female Pop Vocal Performance “Sunrise” This product is a Hybrid SACD designed to play in both CD and SACD players, as well as all SACD-compatible DVD players. at was originally issued,” Marino says. “I think this version is much more representative of what was on the tape. And that’s not a criticism of what was originally done.” – George Marino

Otis Redding – The Dock Of The Bay – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD

£45.00
In Stock
The guts of the story are this: While on tour with the Bar-Kays in August 1967, Otis Redding's popularity was rising, and he was inundated with fans at his hotel in downtown San Francisco. Looking for a retreat, he accepted rock concert impresario Bill Graham's offer to stay at his houseboat at Waldo Point in Sausalito, California. Inspired, Redding started writing the lines, "Sittin' in the morning sun, I'll be sittin' when the evening comes" and the first verse of a song, under the abbreviated title "Dock of the Bay."

Otis Taylor – Hey Joe Opus/Red Meat SACD

£49.95
Otis Taylor is a national treasure. A brilliant musician captured in high definition audio for all to enjoy.

Patricia Barber – Clique – Impex Records Hybrid Multi-Channel & Stereo SACD

£45.00
Hybrid Multi-Channel & Stereo SACD!
· Stereo & 5.1 Surround Mixed by Jim Anderson at Skywalker Sound! Mastered by Bob Ludwig at Gateway Mastering! · Includes Never-Before-Seen Photos & Essays!

Peter Frampton “Frampton’s Camel” – Intervention Records SACD

£42.00
Artist-Approved Frampton@50 Series CD/SACDs Mastered Direct-to-DSD from REAL ANALOGUE TAPES! Mastered by Chris Bellman at Bernie Grundman Mastering Hybrid CD/SACD Plays On All CD and SACD Players Super Jewel Box Packaging

Peter Frampton “Frampton” – Intervention Records SACD

£42.00
Artist-Approved Frampton@50 Series CD/SACDs Mastered Direct-to-DSD from REAL ANALOGUE TAPES! Mastered by Chris Bellman at Bernie Grundman Mastering Hybrid CD/SACD Plays On All CD and SACD Players Super Jewel Box Packaging

Peter Frampton “Wind of Change” – Intervention Records SACD

£42.00
Artist-Approved Frampton@50 Series CD/SACDs Mastered Direct-to-DSD from REAL ANALOGUE TAPES! Mastered by Chris Bellman at Bernie Grundman Mastering Hybrid CD/SACD Plays On All CD and SACD Players Super Jewel Box Packaging

Pink Floyd – The Dark Side Of The Moon – Analogue Productions Hybrid Multichannel SACD

£55.00
Now In Stock This is a big one! This is likely to go out of print VERY quickly, much like ‘Wish You Were Here’, so please order wisely and get your orders in before it’s too late. A multitrack masterpiece. Mixed for 5.1 surround sound and stereo from the original analog master tapes by Pink Floyd Producer/Engineer James Guthrie Rolling Stone 500 Greatest Albums List — Rated 43/500 Another classic Pink Floyd title receives the multichannel reissue treatment and Acoustic Sounds and Analogue Productions is once again proud to handle exclusive distribution of this monumental SACD. How lucky we all are to hear this legendary studio recording realize its full potential. The SACD also of course includes a stunning stereo mix. And as this is a hybrid disc, the album is of course also playable on a standard CD player.

PS AUDIO The Audiophile’s Guide Reference Book and SACD

£79.95
Unlock the secret to great sound from a pair of loudspeakers.
Imagine building or improving your home stereo system in a way that makes your music come alive—like the performers are right in front of you—even on a budget. It’s easier than you think. In The Audiophile’s Guide, PS Audio CEO and 45-year audio industry veteran Paul McGowan walks beginners and veterans alike through his easy-to-follow step-by-step secrets for creating amazing 3D sound from two speakers.

Ray Charles – Ray Charles – Analogue Productions Atlantic 75 Series Hybrid Mono SACD

£39.95
Ray Charles' self-titled 1957 album was one of the first handful of albums issued by Atlantic (and was later retitled Hallelujah I Love Her So). As AllMusic reviewer Bruce Elder notes, the album is weighted about three to one in favor of Charles' own compositions, with the hits "Hallelujah I Love Her So" and the pounding, soaring "Ain't That Love," which opens the record, its raison d'etre.

Rebecca Pidgeon – The Raven – Chesky Records – Hybrid SACD

£32.00
Experience the stunning vocal purity of Rebecca Pidgeon with The Raven, a Hybrid SACDrelease from Chesky Records, renowned for its audiophile-grade recordings. Featuring crystal-clear sound quality and breathtaking acoustic detail, this album showcases Pidgeon’s hauntingly beautiful voice alongside intimate, organic instrumentation. The Hybrid SACDformat ensures high-resolution playback for SACD players while remaining fully compatible with standard CD players, making it a versatile addition to any collection. Perfect for audiophiles and folk-jazz enthusiasts, The Raven delivers an immersive listening experience that highlights every nuance and emotional depth of Pidgeon’s exquisite performance.

Run DMC – King of Rock – Mofi SACD

£42.00
IN AUDIOPHILE QUALITY FOR THE FIRST TIME: HYBRID SACD PLAYS WITH VISCERAL IMMEDIACY
Run-D.M.C. leaves no doubt about its intent on King of Rock. The New York trio's hard-hitting sophomore album begins with a statement of purpose ("Rock the House") that serves as a stereophonic primer for the title track, a hybrid warning-anthem-theme song that swarms with justified boasts, heavy metal riffs, booming beats, cowbell accents, and dance-worthy grooves. The back-to-back tunes set the tone for a 1985 record that largely established the blueprint for the hip-hop that would follow for the next two decades — and which helped make rap a mainstream currency via the previously off-limits channels of radio, TV, and the national stage.