John Coltrane – Ole Coltrane – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD
Available to Pre-Order
"His sheer ability as a maverick — beyond his appreciable musical skills — guides works such as this to new levels, ultimately advancing the entire art form." — AllMusic
Coltrane's final album for Atlantic — released in November 1961 — bookends the exploratory motifs he explores on his Impulse! debut, Africa/Brass, recorded concurrently, with each involving knotty rhythmic shifts and Spanish-derived textures.
John Prine – John Prine – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD
On April 7, 2020, John Prine died a victim of the COVID-19 pandemic after a storied career as a singer/songwriter. His first album, John Prine, released in September 1971, marked the beginning of Prine's long musical journey. But Prine's start as a talented songwriter began years before that in Maywood, Illinois.
Johnny Cash – At Folsom Prison – Mofi SACD
IN STOCK NOW!
The 1968 Album On Which Johnny Cash Became A Legend: At Folsom Prison Among The Most Important And Potent Statements Of The 20Th Century
Mastered on MoFi’s Mastering System and Strictly Limited to 3,000 Numbered Copies: Mobile Fidelity’s SACD Set Plays with Arresting Immediacy, Spaciousness, and Directness
Johnny Cash already knew his way around Folsom Prison when he and his band stepped inside the institution’s forbidding walls on the morning of January 13, 1968 to record At Folsom Prison. He’d played there two years prior. But this time was different.
Kenny Dorham – Matador Impex Records Hybrid Stereo SACD
Larry Coryell, Badi Assad, John Abercrombie – Three Guitars – Chesky Records – SACD
Lou Reed – Berlin -Mofi SACD
An Intense Journey Into Toxic Relationships Balanced With Gorgeous Arrangements And Dark Humor: Lou Reed’s Conceptual Berlin Features A-List Cast And Bob Ezrin Production
Sourced from the Original Master Tapes and Strictly Limited to 2,000 Numbered Copies: Mobile Fidelity’s Hybrid SACD Presents the Singer-Songwriter’s 1973 Album in Audiophile Quality
Like the records he made with his first band, Berlin finds Lou Reed decades ahead of the times.Though dismissed upon its original release in 1973, the former Velvet Underground member’s third solo effort ultimately landed on Rolling Stone’s 500 Greatest Albums of All Time and remains one of his most lauded works.
Matthew Sweet – Son of Altered Beast – Intervention Records SACD
Miles Davis – Seven Steps to Heaven – Mofi SACD
Sourced From The Original Analog Master Tapes: Hybrid Sacd Plays With Superb Clarity, Detail, Tone, And Definition
Seven Steps to Heaven arrived at a crucial junction in Miles Davis' career. Recorded at two separate locations in spring 1963, it served as Davis' first release in more than a year – a layoff that was then unprecedented for the jazz visionary who had issued at least one LP a year since debuting in the early '50s. Equally notable, Seven Steps to Heaven marks the point at which the core of Davis' Second Great Quintet started to assemble. The twice Grammy-nominated effort is also Davis' final studio record to blend standards with originals. And it happens to be one of the expressive, well-played albums in the jazz canon.
Miles Davis – Birth Of The Blue – Analogue Productions Hybrid Stereo SACD
Miles Davis’s Kind of Blue was the number-one jazz album in history. It totaled five songs. There are four more songs from that same historic group, recorded in the same time period and at the same studio. And here they are. These songs deserve to stand on their own with artwork to highlight the quality of the music and that matches the time period of the recording. This is a rare opportunity to have a smash follow-up to what many consider the greatest jazz record ever!
Miles Davis – Porgy and Bess – Mofi Hybrid SACD
Mastered from the Original Master Tapes and Strictly Limited to 3,000 Numbered Copies
If a more significant, influential, and lasting result of a creative musical partnership exists than that of Miles Davis and Gil Evans’ Porgy and Bess, society hasn’t seen it. It’s impossible to overstate the importance of the pair’s collaboration on the landmark 1959 update of George Gershwin’s opera. Transcending genre, time, and place, the profound statement finds Evans and Davis implementing modal approaches in a mainstream context and advancing jazz idioms that would become the foundation of the form’s still-classic era. And that’s saying nothing of the soulful playing – legendary performances by Davis’ first great quintet that can now be heard in pristine detail courtesy of this definitive digital edition.
