Norah Jones – Feels Like Home – Analogue Productions Hybrid SACD
Mastered by George Marino at Sterling Sound from the original analog master tapes to vinyl and PCM. The DSD was sourced from the PCM. George listened to all of the different A/D converters he had before he chose which to use, and he felt the George Massenburg GML 20 bit A/D produced the best and most synergistic sound for the project.
“I think we’ve gotten something quite a bit better than wh
Mastered by Kevin Gray at Cohearent Audio from the original source recordings!
Part of Analogue Productions’ reissue of the Norah Jones’ solo catalog, featuring the individual albums Come Away With Me, Feels Like Home, Not Too Late, The Fall and Little Broken Hearts. Each album is featured in exclusive LP and SACD box sets that include Norah’s Covers album!
2005 Grammy Awards:
Best Female Pop Vocal Performance
“Sunrise”
This product is a Hybrid SACD designed to play in both CD and SACD players, as well as all SACD-compatible DVD players.
at was originally issued,” Marino says. “I think this version is much more representative of what was on the tape. And that’s not a criticism of what was originally done.” – George Marino
Opeth – Watershed (Silver/Black Marble Vinyl) – 2LP Gatefold Vinyl Record
“A striking 2LP silver/black marble edition of Opeth’s Watershed — rich dynamics, atmospheric detail and a standout gatefold presentation.”
A premium 2LP silver/black marble edition of Opeth’s 2008 classic. Dynamic, detailed and confidently presented, with key tracks like “Heir Apparent” and “Burden.” A striking, collector-friendly pressing.
Orb – Orb’s Adventures Beyond the Ultraworld – 140G 2LP Vinyl Record
“A spacious 140g 2LP edition of The Orb’s ambient-house landmark — expansive soundscapes, deep texture and immersive analogue flow.”
A clean 140g 2LP pressing of the Orb’s ambient-house classic. Features “Little Fluffy Clouds,” “Perpetual Dawn,” and more, with a spacious analogue presentation that suits its atmospheric depth. A strong choice for electronic collectors.
Ornette Coleman – Ornette on Tenor – Vinyl LP
Ornette Coleman – Ornette on Tenor Vinyl LP: Free Jazz, Fully Unleashed in Analogue Form
Bold, boundary-breaking, and brimming with energy, Ornette on Tenor captures the legendary saxophonist in full creative flight. Shifting from alto to tenor sax, Coleman explores deeper tones and freer forms with his classic quartet. Pressed on vinyl for rich texture and dynamic impact, this is essential listening for adventurous audiophiles and jazz purists alike.
Ornette Coleman – Ornette! – Speakers Corner 180g Vinyl LP
Ornette Coleman, who died in June 2015 from cardiac arrest, must be counted as one of the most influential musicians in the jazz genre. His importance does not only lie in his ground-breaking recordings in the late Fifties and early Sixties, but lies more significantly in the educational effect of his work – in the fact that he always went beyond himself to the very end.
Ornette Coleman – The Shape Of Jazz To Come – Speakers Corner 180g Vinyl
It was John Lewis, pianist of the Modern Jazz Quartet, who brought Ornette Coleman to the renowned Atlantic label, having heard him play in Los Angeles. »Ornette Coleman is doing the only really new thing in jazz …« he reportedly said. The present initial Atlantic album was released just in time to coincide with the New York debut of the Coleman Quartet in November 1959. Lewis was sure that Coleman would open up new paths for jazz, and his opinion is reflected in the title of the album – “The Shape Of Jazz To Come”.
Oscar Peterson Trio – Live At Concertgebouw 1961 – The Lost Recordings 2LP 180g Vinyl
It is 9 p.m. on February 10, 1961, when Norman Granz takes the stage of the Amsterdam Concertgebouw to present one of the most sensational concerts of the Oscar Peterson Trio. Norman Granz is the greatest impesario and producer in the history of Jazz. Behind the scenes is his protégé, the one he discovered by chance one night in 1949 on the radio of a Montreal taxi, the one he would lead to the top of the pianists. The one he presents that evening as "the Ineffable". It can be said that Peterson plays 100 notes when others play 10, but this virtuosity is not disturbing when it is so perfectly placed in the service of music. The fluidity of the first notes of the introduction sets the tone for an exceptional concert... This is the first release of this recording.
Oscar Peterson Trio: Very Tall – Verve Acoustic Sounds Series 180g Vinyl
Very Tall, released in 1961, features the first partnership between Oscar Peterson and vibraphonist Milt Jackson. The quartet set (which also includes bassist Ray Brown and drummer Ed Thigpen) swings as hard as one might expect. Highlights include “On Green Dolphin Street,” "John Brown's Body" (a jam on "Battle Hymn of the Republic") and "Reunion Blues." Verve’s Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.
Otis Redding – Complete & Unbelievable… The Otis Redding Dictionary Of Soul – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
Otis Redding – The Dock Of The Bay – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD
In Stock
The guts of the story are this: While on tour with the Bar-Kays in August 1967, Otis Redding's popularity was rising, and he was inundated with fans at his hotel in downtown San Francisco. Looking for a retreat, he accepted rock concert impresario Bill Graham's offer to stay at his houseboat at Waldo Point in Sausalito, California. Inspired, Redding started writing the lines, "Sittin' in the morning sun, I'll be sittin' when the evening comes" and the first verse of a song, under the abbreviated title "Dock of the Bay."
Otis Redding – The Soul Album – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
Available to Pre-Order
Otis Redding's fourth studio album, released in 1966, features Redding performing songs that he co-wrote, as well as covers of songs by such peers as Sam Cooke, Eddie Floyd, Roy Head and Smokey Robinson. Guitarist Steve Cropper contributed guitar on the album, and is also credited as the co-author of three tracks.
