The Jimi Hendrix Experience – Axis: Bold As Love (Mono Version) – Analogue Productions UHQR 200G 45RPM Vinyl
Pre-Order Now – Very Limited Supply
Double LP cut at 45 RPM
The pinnacle of high-quality vinyl — the Ultra High Quality Record (UHQR™)
Definitive handmade limited run reissue of Jimi Hendrix Axis: Bold As Love Remastered by Bernie Grundman from the original master tapes Mono release limited to 2,500 copies Pressed at Quality Record Pressings using Clarity Vinyl® Purest possible pressing and most visually stunning presentation and packaging! Includes 16-page booklet with recording session info and an essay written by Brad Tolinski, former editor of Guitar World Magazine
The Jimi Hendrix Experience – Axis: Bold As Love (Stereo Version) – Analogue Productions UHQR 200G 45RPM Vinyl
Pre-Order Now – Very Limited Supply
Double LP cut at 45 RPM
The pinnacle of high-quality vinyl — the Ultra High Quality Record (UHQR™)
Definitive handmade limited run reissue of Jimi Hendrix Axis: Bold As Love Remastered by Bernie Grundman from the original master tapes Stereo release limited to 4,500 copies Pressed at Quality Record Pressings using Clarity Vinyl® Purest possible pressing and most visually stunning presentation and packaging! Includes 16-page booklet with recording session info and an essay written by Brad Tolinski, former editor of Guitar World Magazine
The Ornette Coleman Double Quartet: Free Jazz Speakers Corner 180g Vinyl
The term ‘free jazz’ was already in existence – but it had a quite different meaning, namely jazz without paying for an entrance ticket. The album “Free Jazz”, however, was intended to lend its name to a quite different style of jazz. ‘Free’ playing – now this meant that no one was bound to conventions, you could let your imagination run loose. Free jazz gave one the chance to find new rules for every new composition. And it was to be the greatest boost to innovation in the world of jazz. Ornette Coleman’s album from December 1960 stands at the beginning of the free jazz era like a massive portal.
The Oscar Peterson Trio – West Side Story – Verve 200g 45 RPM Vinyl
One of the first Broadway musical scores to be overtly jazz-influenced was Leonard Bernstein's West Side Story, a tale of rival street gangs in the inner city. In 1962, pianist Oscar Peterson put his light-swing signature on the already popular score, making it, in the words of one critic, "a delight to hear again" and earning him a Grammy nomination.
Originally released in 1962
The Police – Reggatta De Blanc Vinyl LP
The Police – Synchronicity Vinyl LP
The Soulful Moods of Gene Ammons – Analogue Productions Prestige (Stereo) 180g Vinyl
Part of the ultimate audiophile Prestige stereo reissues from Analogue Productions — 25 of the most collectible, rarest, most audiophile-sounding Rudy Van Gelder recordings ever made. All cut at 33 1/3
All mastered from the original analog master tapes by mastering maestro Kevin Gray. 180-gram LPs pressed at Acoustic Sounds' state-of-the-art pressing plant, Quality Record Pressings, plated by Gary Salstrom
Tip-on jackets on thick cardboard stock
“One of the best efforts from Ammons' extensive catalog. A fat, warm, rich sax tone — you know, the one you immediately identify as Jug — is on display in all its glory on this great Moodsville release. Feeling tired and stressed out? Give Uncle Gene a spin. Besides perfect pitch, Ammons' other special gift was a melodic sense that allowed him to effectively convey feelings at slow tempos. Here is a great jazz ballad player given full scope to spin his charms." — Stereophile, February 1995
The Thelonious Monk Quartet – Straight No Chaser 180g Audiophile Vinyl
180-GRAM 33RPM 2LP SET
This mid-period masterwork from jazz piano’s most uncommon voice find Monk and his quartet ( Charlie Rouse on tenor, Ben Riley on drums and Larry Gales on bass) exploring every texture, tone and melodic turn of seven expansive tracks. This group was subtle, mature and confident, easily supporting Monk’s more idiosyncratic side-tracks (check out the solo on “Locomotive” or the restless exposition on “Japanese Folk Song”) while allowing listeners freedom to move through or contemplate all the sublime subtexts Monk conjures from the endless well of his inspiration.
