Miles Davis – We Want Miles – 2 LP Opaque Yellow Vinyl
Miles Davis Black Beauty: Miles Davis At Fillmore West – 180g 33RPM 2LP Mofi Vinyl
Miles Davis – Black Beauty: Miles Davis at Fillmore West is an extraordinary live recording capturing the innovative genius of Miles Davis at the iconic Fillmore West venue. Recorded with pristine clarity, this release showcases electrifying performances of timeless jazz classics that highlight Davis’s masterful trumpet work and his ensemble’s seamless interplay. Pressed on high-quality vinyl, this album delivers a rich, immersive listening experience with warm, dynamic sound. A must-have for dedicated jazz aficionados and vinyl collectors, it stands as a timeless testament to Miles Davis’s live brilliance.
Miles Davis Dark Magus: Live At Carnegie Hall – 180g 33RPM Mofi Vinyl 2 LP
Visionary Dark Magus Anticipates Developments in Jungle, Noise, and Drum ‘n’ Bass Music: Funky, Ferocious, Free-Form Miles Davis Double Album Is an Exhilarating Jazz-Rock Trip
Mobile Fidelity’s Numbered-Edition 180g 33RPM 2LP Set Presents 1974 Performances with Absorbing Detail, Color, and Energy
1/4” / 15 IPS analog copy to DSD 256 to analog console to lathe
It’s safe to assume no one in the audience at Carnegie Hall on March 30, 1974 anticipated what Miles Davis would play at the concert documented on Dark Magus. Recorded near the tail end of his electric period, the double album remains the darkest, most ferocious statement of Davis’ career — a visionary effort that foresaw developments in jungle, noise-rock, funk, and drum ‘n’ bass.
Initially issued in Japan in 1977, Dark Magus waited two decades for U.S. release. Now, more than 50 years after Davis and his ensemble blew minds at the famous New York venue, it’s finally available on a definitive-sounding pressing..
Miles Davis In Person: Friday And Saturday Nights At The Blackhawk – Impex 2LP, 180G, 33RPM Vinyl
Miles Davis You’re Under Arrest – Crystal Clear Vinyl
Milt Jackson : Sunflower – Pure Pleasure Records 180g Vinyl
Recorded over two days in December of 1972 at Rudy Van Gelder’s Englewood, New Jersey home studio, vibraphonist Milt Jackson’s Sunflower is the first and best of his three albums for Creed Taylor’s CTI imprint. (And one of the finest offerings on the label.) With a core band consisting of Herbie Hancock (playing electric and acoustic piano), bassist Ron Carter, drummer Billy Cobham, trumpeter Freddie Hubbard, drummer/percussionist Ralph McDonald, and guitarist Jay Berliner. A chamber orchestra exquisitely arranged and conducted by Don Sebesky adorns the session as well.
Milt Jackson & John Coltrane – Bags & Trane – Analogue Productions Atlantic 75 Series 45 rpm 180g Vinyl
Available to Pre-Order
Vibraphonist Milt Jackson and tenor saxophonist John Coltrane make for a surprisingly complementary team on this 1959 studio session, their only joint recording. AllMusic notes that with fine backup by pianist Hank Jones, bassist Paul Chambers, and drummer Connie Kay, Bags and Trane stretch out on two of Jackson's originals (including "The Late Late Blues") and three standards: a romping "Three Little Words," "The Night We Called It a Day," and the rapid "Be-Bop." The highlight of the set is the eponymous opening track, which just oozes late-night cool.
Milt Jackson & John Coltrane – Bags & Trane – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD
Available to Pre-Order
Vibraphonist Milt Jackson and tenor saxophonist John Coltrane make for a surprisingly complementary team on this 1959 studio session, their only joint recording. AllMusic notes that with fine backup by pianist Hank Jones, bassist Paul Chambers, and drummer Connie Kay, Bags and Trane stretch out on two of Jackson's originals (including "The Late Late Blues") and three standards: a romping "Three Little Words," "The Night We Called It a Day," and the rapid "Be-Bop." The highlight of the set is the eponymous opening track, which just oozes late-night cool.
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