HEXMAT Eclipse Vinyl Isolator Record Mat
Enhance your experience with HEXMAT Phono Record Isolator
• Even Smaller Contact Surface* • 3mm Diameter Specially Mounted Spheres** • 2mm Extruded Polymer Blend Body Exclusive to Us*** • Better Live Soundstage* • Perfect Transients and Timing* • Excellent Dynamics* • Impressive Stereo Image and Channel Separation* • Opened, Spacious Transparent Sound* • Music Without Restraint* • Anti-Static Feature • Full Torque Transfer • 3mm Overall Thickness • 7”/ 10”/ 12” Record CompatibilityHEXMAT Molekula Record Weight
Holst: Hammersmith – Reference Recordings HDCD
Horace Parlan – Speakin’ My Piece (Classic Vinyl Series) Blue Note Vinyl
Best known for his work with Charles Mingus, pianist Horace Parlan began recording for Blue Note in 1960 with an excellent run of hard bop classics including Speakin’ My Piece, a quintet date featuring a frontline of Stanley Turrentine on saxophone and Tommy Turrentine on trumpet with the rhythm team of George Tucker on bass and Al Harewood on drums. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
Horace Tapscott – TAPSCOTT and WINDS
Horace Tapscott Conducting The Pan-Afrikan Peoples Arkestra: Flight 17 – Pure Pleasure Records
Horace Tapscott Conducting The Pan-Afrikan Peoples Arkestra: The Call – Pure Pleasure Records
There are certain albums you hear something new every time you revisit the music and this is one of those albums. An important part of Afro-American history; the politics and art which surrounded the album. If you get a chance check out the film ‘Horace Tapscott, Musical Griot’, by filmmaker Barbara McCullough, or buy the book ‘Songs Of The Unsung’: The Musical & Social Journey of Horace Tapscott’
UK VIBE Mark Jones
Howard McGhee – Maggie’s Back In Town! – Contemporary Records (Acoustic Sounds Series) 180g Vinyl
Just in time for summer comes this reissue featuring the criminally unsung Howard McGhee, the dexterous bebop trumpeter who’s frequently compared to greats such as Dizzy Gillespie and Fats Navarro. Maggie’s Back in Town!! (Maggie was McGhee’s nickname), captures the musician’s triumphant return to music in 1961. AllMusicrates the album as, “McGhee’s finest recording of the period.” He overachieves in rhythmic fluidity, a through line that’s particularly potent in seemingly carefree songs such as “Sunset Eyes” and the title track.
This new edition, released as part of the Contemporary Records Acoustic Sounds Series, features (AAA) lacquers cut from the original master tapes by Bernie Grundman and is pressed on 180-gram vinyl at QRP, and presented in a Stoughton Printing tip-on jacket.
Ike & Tina Turner – Feel Good – Pure Pleasure Records 180g Vinyl LP
“Feel Good” is quintessentially ’70s – the fuzztoned funk practically conjures up platform shoes and mile-wide collars – but it doesn’t belong to any one sound, it casually draws from Southern soul, James Brown funk, black pride, “Superfly” style and juke joint R&B, a sound that is uniquely identified with Ike & Tina. And while this contains no flat-out classics like “Nutbush City Limits” or “Proud Mary” as an album “Feel Good” undoubtedly ranks among their very best: it’s a non-stop party.
Ikeda HBC-MS-5000DR Tonearm Cable
The HBC-MS-5000 series, which is the product of many years of basic research and has excellent transmission efficiency, is a high-quality cable that uses a hybrid structure made of high-purity 6N copper and OFC material.
If you use it to connect your tone arm, you will enjoy a high S/N ratio, high density, and unparalleled natural sound.
The plug is machined with high precision, and the surface treatment is rhodium plating.
The structure of each connector is assembled using Teflon resin with good insulating properties.
The shield is braided with over 90% polyurethane (black).