4mm Dual Pocket LP Vinyl Record Outer Sleeves (RESEALABLE) – Crystal Clear CPP- 25 Sleeves to a pack
This design is meant to protect your album cover while still giving you easy access to the vinyl record. The album pocket has a 1.125 inch sealable flap to give you a perfect archival seal. The record pocket is open to easily slide your record in. I don't recommend store your record in the pocket without a good inner sleeve.
CPP sleeves have excellent properties:
- clear transparency;
- heat resistance;
- and moisture proof.
Al Di Meola, John McLaughlin & Paco De Luca – Friday Night In San Francisco Impex 33RPM Vinyl
Al Di Meola, John McLaughlin & Paco De Lucia SATURDAY Night In San Francisco Limited Edition 180g LP
Audiophile 180g 33rpm Vinyl LP Never before released!!!
Assembled from the original 16-track analog live session tapes by Al Di Meola with engineers Katsu Naito & Roy Hendrickson Mastered from analog tapes by Bernie Grundman at Bernie Grundman Mastering Pressed at Record Technology Inc. Deluxe new packaging with never-before-seen photos Exclusive essay by Charles L. Granata feat. new interviews with Al Di Meola & original recording engineer Tim Pinch Long-Awaited Follow Up To Friday Night In San Francisco! From Original 16-Track Analog Live Session Tapes by Al Di Meola, Katsu Naito & Roy Hendrickson! Mastered From Analog Tapes by Bernie Grundman! Pressed at RTI!Alan Parsons Project – Eye in the Sky – MOFI SACD
Mastered From The Original Master Tapes: Sacd Presents The Music's Hallmark Smoothness, Lushness, And Detail In Reference Sound
The opening track to the Alan Parsons Project's Eye in the Sky remains the most recognized instrumental in sports – fanfare inseparably tied with introducing NBA legend Michael Jordan and his six-time world-champion Chicago Bulls mates before games, and still used by many teams as an energy-raising prelude. Indeed, the subdued grandiosity, cosmic bluster, and lights-out wonder of "Sirius" also sets the table for the band's smash 1982 album, whose hallmark smoothness, lushness, and balance reach epic heights on Mobile Fidelity's reissue.Alexander Gibson – Witches’ Brew – Analogue Productions 180g Vinyl
We've taken this classic and given it the full Analogue Productions reissue treatment, featuring a remaster by Germany's Willem Makkee from the original analog tapes, and plating and 180-gram pressing by Quality Record Pressings. Topping it off is a thick cardboard Stoughton Printing tip-on jacket.
If such music didn't cast the right sort of spell, so many listeners wouldn't be returning to it on so many occasions, somehow feeling constantly refreshed.
Alice Coltrane – Journey In Satchidananda – Acoustic Sounds (Verve) 180G Vinyl
Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
Alice Cooper – Welcome To My Nightmare – Analogue Productions Atlantic 75 Series Hybrid Stereo SACD
Amanda McBroom Midnight Matinee XRCD24
Available for the first time on XRCD24 – this release was produced by Peter Bunetta and Rick Chudacoff for Ripe Productions, also the producers for Dreaming. (To their credits they have also produced Michael Bolton’s Soul Survivor, Smokey Robinson’s One Heartbeat and Patti LaBelle’s New Attitude.) Guests on the project include Bob James, who plays keyboards on two tracks, guitarist Robben Ford and keyboardist Brad Cole, who plays with the Phil Collins Band. Audiophiles who’ve enjoyed Amanda’s work for years will certainly want to finally include this XRCD24.