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Bob Dylan – Oh Mercy Hybrid SACD

£39.95
Mastered on Mobile Fidelity’s world-renowned mastering system and strictly limited to 3,000 numbered copies, Oh Mercy now takes on cinematic qualities worthy of Lanois’ production and Dylan’s performances. On SACD, the music benefits from a spaciousness, tonality, and surrealism no prior edition delivers. Each note seems to occupy its own physical dimension, allowing Oh Mercy to simultaneously immerse and surround you. Its clarity, dynamics, and extension also reach new heights throughout – whether it’s the low-end reach on the spiritual-minded “Ring Them Bells” or combination of guitar-chord treble and piano decay on “Disease of Conceit.”
 

Bob Dylan – Pat Garrett & Billy the Kid Hybrid SACD

£42.00
Mastered from the original master tapes on Mobile Fidelity’s world-renowned mastering system, and strictly limited to 2,500 numbered copies, this hybrid SACD features reference-level instrumental separation and full-bodied tones that allow the songs to blossom amidst soundstages whose dimensions are limited only by the breadth of your stereo system. The flinty, raw acoustic edge of Dylan and Bruce Langhorne’s guitars come into immediate relief. Booker T. Jones’ relaxed albeit taut bass, Jolly Roger’s down-home banjo, Russ Kunkel’s textured bongos, and the crucial string accompaniments similarly flourish.
 

Frank Sinatra ‎– Point of No Return Hybrid SACD

£38.00
  • Numbered Limited Edition
  • Originally released in 1961 on Capitol Records

Thelonious Monk – Monk’s Dream Hybrid SACD

£38.00
Mastered from the original master tapes and strictly limited to 3,000 numbered copies. Hybrid SACD of 1963 Set Features Stunning Clarity, Responsiveness, and Presence
Mobile Fidelity’s numbered-edition hybrid SACD pays tribute to the 1963 album’s merit and enhances the music for generations to come. This audiophile-grade collector’s edition strips away any lingering audio limitations to provide a clear, transparent, and up-close view of a set that inspired DownBeat to award the record a five-star review in which critic Pete Welding correctly proclaimed it “a stunning reaffirmation of [Monk’s] powers as a performer and composer.”